Found two pre-1966 (The Suharto Years) track by prime 1960s Indonesian crooner Bing Slamet with the first one being a calypso-tastic, bongo-licious and conga-delic track which unfortunately can't be embedded. Fear not, click here for a quick access YouTube link.
The only other track of his on YouTube seems to be this 1965 Javaneese slow jazz-folk track. More interestingly, legend has it that this track was the (un)official anthem for the Indonesian Communist Party which will always mean controversy in that(this) part of the world .
Great track to sample though, and check out the still picture used for the video:
I checked out the famed German based Afrobeat blog Analog Africa a couple of minutes ago and uncovered this tasty YouTube video of Benin's very own Orchestre Poly.
Wax Poetics' B+ and Obey's Shepard Fairey are responsible for making this super cool homage to late Detroit Producer J Dilla. The 400 prints of this 45cm x 60mcm poster were sold on obeygiant.com but are unfortunately sold out. Read more here...
Vinyl is dead. We’ve all heard that before ever since the 8-track cassette player was introduced in the early 1970s. This familiar slogan was touted once again after the advent of the compact disk and with the digital music revolution in place; the record is once again supposedly on its death bed. As digital music is knocking hard on the door of compact discs in terms of number of sales, many predict the physical copy of music to be near extinct.
Yet vinyl-only record stores seem to have stood the test of time in most Western societies and sales of vinyl have steadily increased as many more musicians other than the wax conscious indie rock, hip-hop, and jazz artists have added either 12” albums or 7” singles releases to their music. While many may argue that the crippling economic crisis may put an end to the independent record store as we know it, at least one store specializing in vinyl records in Rotterdam is going from strength to strength in its conquest to keep providing the vinyl junkies a steady fix.
Having been introduced to this store by Stones Throw’s Egon, I was lucky enough to chat with Michael Engelaan and Erwin W. Zimmerman (better known as DJ Git Hyper) , the two brains behind Demon Fuzz and got a glimpse into the workings of this establishment as well as how they see the future pan out for the store in specific and the vinyl loving fan in general.
Whilst Michael and Erwin with the assistance of their sidekick Alex Dahlhaus opened the Demon Fuzz Record Store in 1998, their record selling history goes way back to the late eighties when the pair sold records from their apartment by request and built a hefty arsenal of records and a steady income to fund a physical store on the hip Nieuwbinnenweg in the centre of Rotterdam (number 86 to be precise). In less than 10 years with only word-of-mouth as the main marketing tool and eBay as their online store provider, Demon Fuzz would be a reference point for countless muzos searching for quality records in Holland ranging from George Clinton, Large Professor, Madlib, Kid Koala, Soulwax, Carlos Santana, Chuck D, Idris Muhammad and their ilk as well as selling records ranging from a single Euro to a couple of hundred a pop.
Taking a look at the labyrinth of records available throughout the store (including the basement, back storage and mini office) tells me exactly why the store has the reputation in the city. And because we're such nice people, here’s a simple tour around the cluttered and clausterphobic library of records for your pleasure:
Main Store
Like the name suggests, this is the main area of the store for punters to dig for brand new and second hand 12 inch LPs and singles as well as 7 inch 45s. As the records are categorized by genre and artists within the genre, finding records here is easy as it is overwhelming. The store caters to Grime, Electro, House, Dub, New Wave, Punk, Metal, Psychadelia, Prog Rock and your bog standard Rock/Pop heads but Jazz, Soul, Funk, Disco and Hip-Hop is the main staple of the store and offers various kinds of options for crate diggers with Hip-Hop, Breakbeats, Disco, Funk, New Funk, Jazz, Blue Note Jazz, Soul, Modern Soul and 'As Sampled By crates' to dig from. 12” albums range from a single Euro (Rp. 15,000) for your average Simon & Garfunkel or Blondie album and stretches to around €15-€30 (Rp. 300,000 - Rp. 450,000) for any other specialized genre and €5-€10 for singles (12 inch or 7). In addition, the New Arrivals section which greets you as you enter the store is added to daily and offers new as well as second hand vinyl.
The Basement
Any records you can’t find in the main area would most likely be available in the basement. Ask for the absent record you’re pining for and watch the person you asked disappear into the basement in search for it. Records here are alphabetically sorted with prices reaching a few hundred Euros (a couple of million Rupiahs) serving wax ranging from obscure long forgotten records to sugar coated pop which doesn’t fit the main store or are too pricey to leave on display.
The Producer’s Room
This room within the basement is where the obscurest records are stocked and as the name indicates is where record producers would dig loops and samples. It contains mostly rare UK, US and European breaks, Bolly and Hollywood soundtracks, Dutch Funk, Jazz and Breakbeats to name a few.
The Backroom & Office
Any records that won’t fit into the main store would end up in this huge backroom storage and adjoining small office.
Whilst not busy with Demon Fuzz, the 3 guys are preoccupied with other side projects: Michael runs a vintage footwear store in the same neighborhood (www.vintagefootwear.nl), DJ Git Hyper deejays for various local Hip-Hop groups (Rotterdam's Duvel Duvel is a prime example) and Alex with his graphic design projects. Demon Fuzz's up and coming new website is their main goal at the moment though and with its imminent launch, be sure to check out Footurama for updates on the new look www.demonfuzz.com and their brand new online store in the coming months.
Ever tried contemplating a week long magic mushroom binge and see if you don't turn into a veg? Madlib has, and far from turning into a raving loony, he created one of independent hip-hop's flagship albums, Quasimoto's The Unseen as a result.
Legend has it that the West-Coast left field hip-hop producer created this album after the psychedelic tour de force for his own listening pleasure before Stones Throw owner Peanut Butter Wolf convinced Madlib to release his psychotropic fuelled album for the public. For you unfortunate enough to not know Quas, he's the helium voiced weed smoking alien who goes around committing grotesque yet quite hilarious murders (cracking skulls with a brick, stabbing someone from behind with a pitchfork, handing out poisoned apples, etc.) accompanied with absurd, obscure and sometimes very catchy samples with a clear tongue in cheek attitude towards the absurdities of mainstream rap.
*Official video, damn strange one at that.
*Not even a video but features one of the best tracks on The Unseen.
Now Kid Robot & Stones Throw can bring the yellow (or blue) alien right into your living room with this action figure.
Even if you don't know who the hell Lord Quas is, having an action figure of a sh*t talking, pot smoking, brick carrying alien can't do you any harm. Read more HERE!
Finding good records often gives one the urge to spread the good word. Ever since starting this blog and my other on Footurama, I've pledged myself topost any note-worthy records I happen to stumble accross for anyone bored enough to read.
As the sub-title proclaims, New Orleans: The Original Sound of Funk, is funk roots at its best. Always known as a hub of musical innovation with its brand of jazz, soul, funk and these days hip-hop, this handy compilation goes back to the early sixties up to the mid-seventies highlighting New Orleans' greatest cultural exports of the time: Aaron Neville, The Meters, Professor Longhair, Huey 'Piano' Smith & His Clowns, Dr. John, The Gaturs and countless others. Click HERE for audio samples of all the tracks on Soul Jazz.
Pitchfork is always a handy and entertaining source of music news. For the lazy folks who couldn't be bother to read articles, there's always Pitchfork TV too which this month exposes Jamaica's role in the development of the modern popular music scene.
Since it's only available for a week only, I suggest you hurry up and check it out here: http://pitchfork.tv/
*Pictures taken from Wax Poetics No. 26. Illustration by Brad Howe
It's always great when you get to real up on some history of a track that has been bobbing in your head for a good few years. I read the Hip-Hop Edition of last winter's Waxpoetics and was gleefuly introduced to Tyrone Thomas And The Whole Darn Family.
Whilst this Virginia based 6 piece was a new name to my years, the greatest track they ever produced has been playing on my stereo in different guises over the last couple of years. Seven Minutes of Funk was a track included in their 1976 album Has Arrived and has been a part of hip-hop sampling history having been used by artists ranging from Wu-Tang Clan, Jay-Z, Q-Tip, Gravediggaz and EPMD.
The article later goes on to explain that due to Tyrone Thomas' trusting nature, he lost 100% of his publishing rights and fifty percent of his writer's. His attempt at contacting the various rap megastars about his willingness to promote other tracks he and his band has to offer fell mostly on deaf ears notably from Jay-Z's camp whose adaptation of Seven Minutes of Funk, Aint No Nigga with Foxy Brown pretty much launched his career. It's a sad tale to hear and only confirms the cut throat nature of the music business. Nevertheless the track is now legendary and the original is still spinned by DJs and fans alike. To give you a taste of the original and how they've been adopted by various rap artists over the years here are a few YouTube samples for your pleasure:
The Whole Darn Family - Seven Minutes of Funk (Audio only):
Jay-Z & Foxy Brown - Aint No Nigga:
EPMD - It's My Thing (Audio only):
Gravediggaz - Death Trap (Audio only). This is personally my favourite adaptation as Prince Paul doesn't just sample the full original bass and beat but really chops them up without losing any of its funkyness:
Motown Records will be 50 years old on January 12th 2009. As a tribute to this iconic record label, rather than create a Motown only mix tape which has been done many-a-time before, I together with JK from The Marquee have compiled 29 tracks of the music produced in, songs inspired by or features artists from Detroit Michigan as a nod to the influence Motown has inserted to the rest of the music scene in Detroit.
You’ll of course have your Motown tracks, but also plenty of other Soul, Funk, Hip-Hop, Rock, Punk and Jazz tracks hailing from Motor Town.
So click HERE to access the track. Download the winRAR file onto your desktop and extract to play. Enjoy Detroit Mix City!
1. MC 5 - Borderline
MC5 stands for Motor City Five, and they were only one of a long line of notorious bands to come out of Detroit. They openly admitted to taking LSD and Marijuana, dabbled in radical left-wing politics and was even affiliated with the White Panther, which, though it sounds like it, not a white supremacy organization, but a radical organization aiming to help the Black Panthers. Their music isn’t less bizarre, combining rock n’roll, r n’b and free jazz just to name a few. This track was taken from their first album, Kick Out the Jams.
2. Amboy Dukes - Journey to the Centre of the Mind
Sure this band was the band where the notorious conservative, red neck and all-round primitive Ted Nugent made his name. But this tune was so good; it made the CD reissue of the legendary Nuggets: Original Artyfacts from the First Psychedelic Era, 1965-1968. It was also on their eponymous second album on Mainstream Records. The cover depicted 50 different kinds of marijuana smoking devices!
3. Iggy and the Stooges - Gimme Danger
This song is one of the highlight of Raw Power, an album that Iggy had remastered so loud, I swear my ears almost bled when I accidentally listened to it on my headphone.
4. David Bowie - Panic in Detroit
From the album Aladdin Sane, I suspect Bowie modelled the tune after the Motown sound.Just check out the backing vocals.
5. Creedence Clearwater Revival - I Heard It through the Grapevine
I Heard it Through the Grapevine was covered many, many times. Gladys Knight and the Pips released it first, then Marvin Gaye came and made it his. Other notable covers of this song include the Slits, and Creedence Clearwater Revival. The Creedence Clearwater Revival version is originally 11 minutes long and allegedly, Steve Cropper of Booker T and the MGs played the fiery solo, of which I had to cut half of it just in case you lose interest.
6. Kenny Burrel - Midnight Blue
The Detroit native recorded his signature tune on the legendary Blue Note Records. From the 1963 album with the same name, if you just want to buy one Kenny Burrell album, this is probably it.
7. Donald Byrd - Christo Redentor
You can find this piece on A New Perspective, on Blue Note Records. Christo Redentor means Christ the redeemer, and this song fits its title perfectly. Originally released in 1963, the list of musicians playing on the record includes Herbie Hancock on piano and Kenny Burrell on guitar.
8. Gil-Scott Heron - We Almost Lost Detroit
Though not as popular as The Revolution will not be Televised, this number will remain one of the highlight of Heron’s career. The song tells the tale of the 1966 nuclear meltdown in Michigan, and shows Heron’s worth as a lyricist. Originally on the album Bridges, released December 1977 on Arista.
9. Aretha Franklin - Chain of Fools
Raised in Detroit, she's always been associated with the soul tradition of the city. Chain of Fools was recorded for her album Lady Soul, and this particular version is the unedited version available as a bonus track on the Rhino reissue.
10. Stevie Wonder – Jesus Children of America
One of the greatest exponents of Motown, Wonder started his career on the label since being a child star and never left the label since. This track originates from the album Innervisions (1972) which was one of the first Stevie Wonder albums written entirely by the man himself (as opposed to the Motown hit factory songwriters)
11. Soul President - Got to Have It
I got introduced to this groovy track by the 4th installation of the Eccentric Soul compilations: The Big Mack Label, a 1960s Detroit based indie soul record label.
12. The Cool Kids – 88
The Detroit based Cool Kids released their second EP: The Bake Sale in 2008 to much fan fare which is clearly a nod to the golden age of hip-hop (87-94).
13. J Dilla a.k.a Jay Dee – Lightworks
Taken from the album Donuts, the last and good-bye album of legendary underground hip-hop producer, MC and Detroi native J Dilla before he lost his battle with Lupus in 2006, this track has been sampled and circled plenty a time amongst the next generation of left-field underground hip-hop producers ranging from Madlib and MF DOOM to Flying Lotus and Four Tet.
14. Erykah Badu - Amerykhan Promise
Badu’s latest album released in mid 2008 on Universal Motown has been arguably her best. Not only does she expand her familiar nu-soul sound, she also delves into 1970s p-funk, hip-hop and jazz amongst others.
15. Mae Young – Let’s Give Our Love a Try
Yet another of the irresistibly funky grooves served up by the good people at Numero Group who were responsible of the Eccentric Soul IV: Big Mack Label mentioned earlier above.
16. J Dilla a.k.a Jay Dee – Workinonit
Another track taken from the highly experimental Donuts, this album was conceived during J Dilla’s last days before his death in 2006. This particular track opens the album and is the longest of 31 tracks which clocks in at 2:57.
17. Ms. Tyree “Sugar” Jones – If You Feel It
This instrumental track is yet another gem on the Eccentric Soul IV: Big Mack Label series.
18. Stevie Wonder – Contusion
Sticking with instrumentals, this jazz-rock track is taken from Stevie’s 1976 Songs on The Key of Life, arguably his most well known album alongside Talking Book.For greater effect, follow up this track with Sir Duke which naturally follows Contusion on the album.
19. Soul President – Get it Right
By now you must be convinced that I’m a sucker for the Eccentric Soul IV: Big Mack Label compilation and you’d be right. If this wasn’t a mixed track list about Detroit, I’d include many other tracks from the 9 other Eccentric Soul series.
20. The Isley Brothers – Get Into Something
Also known as the band that discovered Jimi Hendrix, The Isely Bros let the funk rip on this 70s funk bonanza on Tamla-Motown. The track later became a staple for breaks in the early hip hop block parties in 1980s New York.
21. Stevie Wonder –Boogie On Reggae Woman
That old Stevie Wonder has been used 3 times already should come as no surprise as not only is he a Motown legend, he is also born and bred in Detroit Michigan making it a must for any mix tape proclaiming to represent the music of Detroit. This track also happens to be on 1974’s Fulfillingness’ First Finale on Tamle-Motown.
22. Q-Tip – Manwomanboogie (Feat. Amanda Diva)
A Tribe Called Quest’s main rhyme flower Q-Tip is back from the dead after an 8 year absence from releasing a full album since 2000’s Amplified. The Renaissance is often claimed by critics as one of the few good quality hip hop albums to come out in 2008. That is of course debatable, but the album on the whole is definitely back to Tip at his best and is a must have for this ridiculously catchy track and its funky bass line alone.
23. Eminem – Any Man
Any mention of rap and Detroit often conjures the image of Eminem. Yet rather than pick a track from his better known albums on Interscope, this track back from ’99 on seminal underground hip-hop label Rawkus Records features Eminem at his best: trash talking and tight rhyming over raw hip-hop beats courtesy of The World Famous Beat Junkies®.
24. J Dilla a.k.a Jay Dee – Body Movin' (Featuring J. Rocc & Karriem Riggins)
A straight forward heavy beat with fuzzy electro synthesized bass line featuring Stones Throw records’ J Rocc & Kariem Riggins on The Shining, released after Dilla’s death.
25. J Dilla a.k.a Jay Dee – Wild (Instrumental)
This track is just damn weird and wildly raw which shows the range of producing skills Dilla is capable of, showing why he’s just waaaaaay ahead of his time.
26. The Jackson Five – Hum Along and Dance
The Jackson Five quickly became Motown’s house band shortly after they relocated to Los Angeles from their Detroit hometown, replacing The Funk Brothers. Besides being the platform to which Michael Jackson would go on and conquer the pop world, they also released this track which also became a favourite amongst dee-jays in early 80s block parties.
27 & 28. J Dilla a.k.a Jay Dee – Time: Donuts of the Heart & Geek Down
Another 2 tracks from Donuts where the former was sampled and used by The Roots in their 2006 Game Theory LP as a tribute track to the Detroit producer.
29. Marvin Gaye - Inner City Blues (Make me wanna holler)
Not including a track from perhaps Motown’s best known albums What’s Going On would be quite mad.
Amsterdam based Ffonz collects records like there’s no tomorrow, documents gigs and puts them on paper, compiles mixtapes for no apparent reason, and dreams one day of transforming Jakarta into a musical Mecca.
http://www.whiteboardjournal.com
http://blog.footurama.com/ffonz/
http://twitter.com/Ffonz
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